Trace of Belief - Edinbrugh Fringe 2025

Taiwan Season: Trace of Belief

Chun Dance

Assembly Dance Base

“Trace of Belief” choreographed by Hsieh Yi-Chun, is a subtle, mesmerising performance that incorporates ballet, tai-chi, salsa, bhangra and kathak in a dreamlike melange.

“Trace of Belief”, which blends these dance techniques with a signature dance style Hsieh Yi-Chun is pursuing— low-centred movements paired with fluid circular motions reminiscent of flowing water. Embracing diverse dance styles and various cultural identities, Chun Dance embodies the “glocal” spirit—both deeply rooted in local traditions and globally engaged. connecting with audiences worldwide.

Six performers wearing blue and white loose pants and flesh-coloured tops move imperceptibly to begin.  Sounds of waves, bells, birdsong surround them, and the lighting is evocative and is as much a reason to see this production as the movement itself.

This is an elegant work.  The consummate dancers have complete control. The compositions of bodies, colour and light is delicious.  The discipline embodied in the piece holds us.  Each movement is precise, exacting. It all feels ritualistic, meditative and then bursts into the ecstatic.  The audience are free to write their own response – whether religious or secular onto the event.  There is not obvious narrative. The title is a frame through which to experience this delightful work. Where do we put our faith?  And in what?

The final section features Hsieh Yi-Chun herself, stripped down to her flesh coloured under cloths as if suggesting that we should shed all that is unnecessary to find our own trace of belief.

An outstanding company which is a pleasure to encounter.  Recommended!

Review by Kate Gaul